public art

Sedrick Huckaby is known for his striking, large-scale portraits, where thick, layered brush strokes, capture the intensity in the faces he details, providing an intimate glimpse into their lives. Collectively, his portraits tell larger, nuanced stories of struggle, celebration and community. But beyond the paint, canvas and paper mâché, Huckaby has dedicated his life to connection – connecting people and histories, to help highlight “where we come from, and where we’re going.”

Every time Andrew Eschelbacher makes his way through the Amon Carter Museum of American Art, he’s proud of the diverse permanent pieces on view throughout the galleries.

The concert was a celebration of Ukrainian Independence Day, hosted by the Ukrainian Cultural Club of Dallas.

More of a dependable sign of the change in seasons than any actual shift in the weather, Fall Gallery Night blows open doors around the city Sept. 6.

Public art advocates are encouraged by Fort Worth’s early draft of next year’s bond program that could include millions of dollars toward installations that visually enhance communities.

The statue would depict a mother with an unborn child in a “world-shaped womb.”

Dallas has been named one of the top 10 U.S. cities for free art, according to a new study. With 130 murals, 10 free museums, and growing popularity on TikTok, the city’s art scene thrives.

Create Texas is working with a housing developer and the City of Arlington to find a local artist who will create a sculpture honoring Martin Luther King Jr. and the Civil Rights Movement.

The Greater Denton Arts Council wants to bring a vending machine to Denton to offer local artists exposure. The Art-o-mat, a retired cigarette vending machine converted to sell a cigarette pack-sized piece of art for only $5, would be one of only a couple of hundred in the United States.

Fort Worth’s T&P Station has welcomed visitors to the city for nearly a century. Now, a recently completed public works project is shining light on some of the historic figures that have stepped off a train throughout the years.

Jagged edges of drywall and exposed puffs of pink insulation are the first visible clues that Jonah Freeman and Justin Lowe’s “Sunset Corridor” is not your typical art exhibition.

The Amon Carter Museum of American Art is no stranger to Western art, but its new exhibition, which opens Sept. 28, pushes against the stereotypes and mythology frequently associated with cowboy culture.