Manuel Mendoza | The Dallas Morning News
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Bren Rapp is presenting a one-man show about the legendary broadcaster as part of the Elevator Project.
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‘Mis-Lead’ uses a percussive score, projections and poems by Maya Angelou and Octavio Paz to examine the legacy of industrial pollution in the neighborhood.
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This year’s festival of one-act plays is inspired by Heather McGhee’s ‘The Sum of Us.’
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Cara Mia and Soul Rep theaters present the English-language premiere of ‘Yanga,’ which tells the story of a formerly enslaved African who founded one of the first free Black towns in the Americas.
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The Dallas playwright’s “I Am Delivered’t” takes place in the parking lot of Missionary Baptist Church.
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Hana Delong has been building for years toward “Post Mortem,” her major dance-making debut.
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Philadelphia choreographer Rennie Harris brings ‘Rome & Jewels’ as part of the company’s 30th anniversary tour.
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Those that have a regular, reliable space are better at drawing audiences than those that don’t.
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In “Arrival” for Bruce Wood Dance and “Critical Mass” for Dallas Black Dance Theatre, the New York-based choreographer flashes his gift for turning chaos into poignancy.
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Theater companies around the country, especially the well-established institutions we take for granted, are in trouble. The journalists who cover them have begun sounding the alarm. “The American theater is on the verge of collapse,” a guest essayist recently wrote in The New York Times.
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In the one-woman play ‘The Way She Spoke,’ Gigi Cervantes stars as an actress-friend of the playwright.
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Soul Rep Theatre Company is presenting the regional premiere of ‘Travisville,’ a fictionalized account written by sitcom star William Jackson Harper.