Manuel Mendoza | The Dallas Morning News
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A nonbinary lesbian, Kelsey Milbourn found a kindred spirit in 17th-century opera singer Julie D’Aubigny.
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TITAS is closing its season with TL Collective’s ‘BlueNav,’ inspired by a selfless soldier.
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Dallas Theater Center is co-producing the show with Bishop Arts Theatre Center.
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Bren Rapp is presenting a one-man show about the legendary broadcaster as part of the Elevator Project.
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‘Mis-Lead’ uses a percussive score, projections and poems by Maya Angelou and Octavio Paz to examine the legacy of industrial pollution in the neighborhood.
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This year’s festival of one-act plays is inspired by Heather McGhee’s ‘The Sum of Us.’
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Cara Mia and Soul Rep theaters present the English-language premiere of ‘Yanga,’ which tells the story of a formerly enslaved African who founded one of the first free Black towns in the Americas.
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The Dallas playwright’s “I Am Delivered’t” takes place in the parking lot of Missionary Baptist Church.
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Hana Delong has been building for years toward “Post Mortem,” her major dance-making debut.
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Philadelphia choreographer Rennie Harris brings ‘Rome & Jewels’ as part of the company’s 30th anniversary tour.
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Those that have a regular, reliable space are better at drawing audiences than those that don’t.
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In “Arrival” for Bruce Wood Dance and “Critical Mass” for Dallas Black Dance Theatre, the New York-based choreographer flashes his gift for turning chaos into poignancy.