Amon Carter Museum

The artist’s photography and installations explore her identity as a Mexican-American woman

Seven contemporary Black artists were asked to respond to the 1863 sculpture “The Freedman.”

“Emancipation: The Unfinished Project of Liberation,” asks seven Black contemporary artists to visualize what freedom looks like today. Three artists share their thoughts.

Inspired by an 1863 sculpture at the Carter of a Black man in shackles, the artists consider what's been happening to African Americans the past 160 years.

“Emancipation: The Unfinished Project of Liberation” asks seven Black, contemporary artists to consider the state of freedom in the United States in response to John Quincy Adams Ward’s 1863 sculpture, “The Freedman.”

The partnership between the Amon Carter Museum and local artists started in 2018 as a way to engage and support local artists by giving them the opportunity to collaborate on exhibits, events and community outreach.

The Amon Carter has thousands of works representing Native Americans. But very few were actually made by Indigenous people. A new photography exhibit, "Speaking with Light," at the museum attempts to address that disparity.

Ryan RedCorn isn’t sure what wisdom he’s going to impart Saturday at the Amon Carter Museum as a symposium panelist regarding contemporary Indigenous photography. But given the background of RedCorn, an Oklahoman of Osage descent, it’s likely to be insightful.

A new one-man, stage drama answers those questions. It brings back to life one of the biggest forces in creating modern-day Fort Worth.

Ballet folklorico dancer Dominic Mendoza, 16, became interested in the traditional Mexican dance when he saw his cousin performing.

Sedrick Huckaby paints portraits of people, often his own family members. And for more than a decade now, many of the portraits he’s painted happen to be…