PBS

Brendan Carr, the new head of the Federal Communications Commission under President Trump, says the public broadcasters are being investigated for allegedly running commercials.

The PBS show, which debuted with a performance by Willie Nelson, has become the longest-running show of its kind in television history.

Host Dulé Hill meets artists with unusual talents and deep commitments to their communities. This new episode visits Dallas, Denton and Houston.

Dallas-based KERA has stopped posting on Twitter following similar announcements from NPR and PBS. This announcement was driven by the changes to the social media platform.

The PBS series "Making Black America" continues Tuesday night with a look at the Black press. So we asked Patrick Washington, publisher of the Dallas Weekly, to share some observations about the Black press, Black Twitter and Black joy.

The executive producers behind public television’s “Rosie’s Rules” explain why they created Rosie and why San Antonio was the perfect setting for their show.

"Charlie Bee Company" follows New Braunfels beekeeper Charlie Agar as he safely removes the country's most precious pollinator out of homes from Austin to San Antonio.

The beloved PBS Kids show will wrap in early 2022 after its 25th and final season.

A group of documentarians have signed a letter to PBS expressing concerns that white stars like Ken Burns get too much airtime and resources, while filmmakers of color struggle to build careers.

The documentary "The Black Church: This is Our Story, This is Our Song" examines 400 years of history in the church. KERA's Gabrielle Jones talked with Producer/Director Stacey Holman about the range of history and cultural traditions covered in film.

Apple TV+ bought the rights to the classic cartoon franchise, and fans worried about losing a free-TV chance to watch the holiday specials. After a social-media firestorm, Apple worked out a deal to air the Thanksgiving and Christmas shows on PBS.

Burns made a name for himself by finding the small stories that lend perspective and emotion to larger narratives. Critic David Bianculli says his latest effort is "compelling from the start."