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At a camp for drummers, students learned more about playing traditional Northern Mexican music they love, which the organizer says is ingrained in the culture and will never die.
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'It's done': Video appears to show Gucci Mane releasing Pooh Shiesty from contract next to armed manFederal prosecutors released a video recorded by rapper Big30 of Pooh Shiesty seemingly forcing Gucci Mane to verbally release him from his record label contract.
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The trial of Memphis rapper Pooh Shiesty over his alleged robbery and kidnapping of Gucci Mane in a Dallas music studio has been pushed to February 2027.
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The rapper, whose real name is Lontrell Williams Jr., pleaded not guilty to all federal charges against him last week, court records show.
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RJ the Weirdo opens up about insecurity and fatherhood on his latest album, At Least She’s Beautiful.
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The court denied two of Broadnax's attempts to pause his execution for the murders of two Christian music producers in Garland. Justices are still considering a recent confession alleging Broadnax's cousin was the shooter.
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In their music video for "The Last Light," Denton indie rock band Remain captures a restless search for connection through the city's secluded streets, back alleys and empty parks.
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Gucci Mane addressed his alleged robbery on a new song "Crash Dummy," responding to allegations that Memphis rapper Pooh Shiesty robbed him in a Dallas music studio.
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Twenty of the nation’s top high school bands are going to New York City’s Essentially Ellington Jazz Band Competition and Festival later this month, including Carroll Senior High’s jazz orchestra. It’s a rare honor for the band, picked from more than 100 hopefuls.
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Until the 1980s, an annual prison rodeo offered a chance for men inside to perform and sell albums. Now The Marshall Project is making them available to you.
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A new Dallas music symposium honors the godmother of rock ‘n’ roll while spotlighting the overlooked contributions of Black women in blues, gospel and American music.
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In Texas, a long-forgotten series of prison albums offers a rare way to hear what incarceration sounded like decades ago. Maurice Chammah, a staff writer at The Marshall Project is rescuing and reporting on the music recorded behind the walls.